There is no all-around film stock, so how can we expect a single digital camera to do everything?
We were shooting with multiple cameras, so I had to figure out how to beef up the exposure around the actors allowing me to stop down a bit while staying true to my sources and also keeping fixtures clear in the wider shots.
The couple is interrupted by a car that pulls up behind their vehicle, blinding them with its headlights.
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You have to do the same thing with digital formats.